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History Of The Chola

Growing up in the 90s on the south side of Houston, I watched my older sister Lynda set the chola beauty standard. She lined her lips with berry-colored lipliner, plucked her eyebrows thin, and teased her permed hair with Aquanet hairspray, creating a stiff asymmetrical bang wave with a height capable of competing with all the homegirls in the neighborhood. She wore baggy polo shirts, gold jewelry, and had a gangbanger boyfriend named Angel with a bald fade and a lowrider car. She was a beautiful, highly accessorized chola who was respected in her world—most of all by me.

When I turned 13, Lynda began initiating me into the chola scene. By then, the look had evolved a bit—bang waves were no longer the style—but the core elements of the culture remained. Lynda and I drank Smirnoffs together, danced to Tejano music at the bar, and, at the end of the night, watched the boys fight in the parking lot. At 15, she bought me my first golden nameplate and I started dating one of Angel’s friends. She taught me the moral codes of what would become a sometimes violent teenage lifestyle—codes she had learned growing up in our rough neighborhood.

I got into fights at school with other girls who challenged or disrespected me and tried to hold my own in a community that did not look kindly on weakness. I eventually pushed myself toward academics, hiding away from the scene, and ended up going to college—an opportunity not afforded to many of my peers. However, I maintained my chola vibe throughout my time in high school as a way to survive in my environment. So today, when I see chola culture being sampled and recontextualized by fashion designers, pop singers, or celebrity starlets, I can’t help rolling my eyes.

At Givenchy’s most recent show in Paris, the line used gelled baby hairs and braided hair loops to evoke what designer Riccardo Tisci called a “chola Victorian” look. Pop stars aplenty—from Lana del Rey to Gwen Stefani, from Nicki Minaj to Fergie—have all taken elements of chola style and used them for their own devices. Stefani in particular is a veteran of appropriating “chola glamour” with her pencil-thin eyebrows, dark outlined lips, wife-beater crop tops, and the airbrushed lowriders in her videos. Nicki Minaj’s chola aesthetic in Young Money’s “Senile” video included gold hoop earrings, a red bandana around her forehead, and sagging Dickies atop a sporty Moschino underwear set. Her lips were heavy with liner as she rapped in front of a crew of tattooed and shirtless Mexican dudes.

I get it. Celebs reference the style to conjure a subversive and feminine fierceness. Aesthetically, cholas are really fucking cool. However, there is a dysfunctional idea at the heart of these instances of chola appropriation—that an elaborate outfit is all you need to enter into a culture. Anne Hathaway’s character in the movie Havoc is a great example. In the film, she plays a rich white girl from the suburbs of LA who tries to woo a gangster from the Eastside by rocking big gold hoop earrings and brand name urbanwear. In one of the movie’s more mortifying scenes, she sings and rolls on her wannabe thug boyfriend to a Tupac song. Then there are those celebs who take it to another level of offense with straight-up mockery, like when George Lopez gave Sandra Bullock a chola makeover by drawing her eyebrows on with a Sharpie.

As with most instances of cultural appropriation, when the chola look is worn by pop starlets, it gets stripped of context and becomes little more than a costume. Cholas are more than Latina sidekicks for Lana Del Rey or concepts for Fergie music video. The chola aesthetic was first forged by the marginalized Mexican American youths of Southern California. It embodies the remarkable strength and creative independence it takes to survive in a society where your social mobility has been thwarted by racism. The chola identity was conceived by a culture that dealt with gang warfare, violence, and poverty on top of conservative gender roles. The clothes these women wore were more than a fashion statement—they were signifiers of their struggle and hard-won identity.

To understand the significance of the chola subculture, you have to look back at the history of systematic oppression and discrimination that plagued Latino communities in the US. From 1929 to 1944, in a shameful incident known as Mexican Repatriation, the US government forcibly removed around 2 million people of Mexican heritage from the country—more than 1.2 million of them United States citizens. These people were snatched from their homes and workplaces and illegally deported. The government’s campaign against Mexican Americans continued throughout the century, as 300-plus acres of land known as the Chavez Ravine owned by generations of Mexican Americans were slowly stolen from 1951 to 1961 by the Los Angeles City Housing Authority. The residents were forced to sell their land and their houses were burned as practice sites for the LA fire department. (The land was later used to construct today’s Dodgers Stadium.)

It was during the time of Mexican Repatriation and WWII that pachucas, the forebears to the cholas, started to appear on the streets of Los Angeles. Pachucas were the female counterparts to pachucos, the Mexican American teenagers who wore zoot suits with high-waisted pegged pants and long suit coats. Pachucas also had their own nonconformist style of dress. They were known for teasing their hair into bouffant beehives and wearing heavy makeup, tight sweaters, and slacks or knee-length skirts that were immodestly short for the time. They were a rebel subculture that rejected assimilation into the white, hyper-patriotic spirit of WWII. Their rejection of mainstream beauty ideals and association with a non-white underclass challenged the idea of a unified nation, which the US was desperately trying to portray during wartime. The pachuco and pachuca style became a signifier for a racialized other and was therefore considered un-American.

“A chola is the epitome of beauty, style, and pride with a badass, take-no-shit, ‘look at me but don’t fuck with me’ attitude. She is a strong and proud woman who holds it down for her family and hood.” —Hellabreezy

In 1943, in the midst of World War II, citywide brawls known as the Zoot Suit Riots took place across Los Angeles and Southern California as white military servicemen began attacking pachucos, who were deemed unpatriotic due to the extra fabric needed to make their clothing, and deviant because of their racial difference. That year, the press called “cholitas” the “auxiliaries of the zoot suit gangs.” As depicted in Luis Valdez’s 1991 film Zoot Suit and Edward James Olmos’s 1992 film American Me, pachucas were also victims of physical and sexual violence during these clashes. Instead of repressing the pachuco culture, these attacks only strengthened the pachucos’ desire to resist assimilation into a jingoistic white America that treated brown minorities like second-class citizens. In addition to claiming a non-white womanhood, pachucas also defied gender norms by wearing slacks and sometimes even zoot suits.

“I thought pachucas were so cool. I saw these women with tight sweaters and pants hanging out. They took over the street and taught me that it wasn’t only a male space,” says Chicano studies scholar Dr. Rosa-Linda Fregoso, author of the 1995 article ” Pachucas, Cholas, and Homegirls in Cinema,” an analysis of how American Latina women are portrayed in film. To Fregoso, pachucas embody the rebellion against domesticity and challenge the idea of “appropriate female behavior.” She says that being a pachuca back in the day was a type of “feminismo popular” or folk feminism that didn’t come from an academic consciousness, but from a critique of patriarchal culture embedded within the Chicano community. Fregoso was also experiencing the culture in South Texas. By the 60s, pachuco style had spread all along the Southwestern United States.

“Pachucas [were] very radical women,” says Roseli Martinez, an art event organizer in LA, cofounder of Xicanas de Corazon book club, and poster girl for a modern day pachuca movement in California. “When you think about it, it’s the 1940s and you’re putting on pants, rolling with the guys. You’re wearing short skirts, going to parties, getting in fights, holding your man down. And you still don’t give up the responsibilities that fall on you for the simple fact of being a woman.”

The transition of a predominant pachuca style to a more gang-inspired chola look happened in the 60s and 70s. The chola, the female counterpart of the cholo, was a “working-class, young Mexican American female from the barrios of the southwest with a very distinct aesthetic, style, and attitude,” according to Hellabreezy, an Oakland-based model and modern-day chola, who spent a part of her youth in the projects of LA. “But to me, a chola is the epitome of beauty, style, and pride with a badass, take-no-shit, ‘look at me but don’t fuck with me’ attitude. She is a strong and proud woman who holds it down for her family and hood.”

The term cholo (the masculine form of chola) first entered the popular lexicon in the 60s and 70s in Southern California, although it has been documented in casta paintings as early as the 16th century. According to Latin American dictionaries, it simply means “mestizo,” or a person of mixed Amerindian or Andean indigenous and European lineages. However, on the streets in the 60s and 70s, the word became slang for the Mexican American or Chicano gang-affiliated men in Southern California who wore a combination of khaki pants, Pendleton plaid shirts over a white tee, and Locs sunglasses. At this time, gangs were prevalent in barrio life. They offered a sense of family, pride, identity, self-esteem, and belonging—things Chicanos did not receive from the dominant society. (Gang members were not all men; LA has had Latina girl gangs since at least the 1930s.)

The interests of the chola/cholo subculture were documented in the pages of lowrider publications like Teen Angels and Mi Vida Loca, which highlighted cholo art, fashion, tattoos, and moral codes. The chola code included things like loyalty to your homegirls, never fighting over boys, and, in some circles, not dating outside of your neighborhood.

“Most cholas either grew up with family members, their vatos, or even themselves having lowrider cars,” says Hellabreezy. “They attended car shows and cruised on the weekends as a favorite past time. Music was a big part of the culture too—like oldies and Chicano rap. Late nights were spent listening to oldies with homies or that special someone, calling your favorite radio station to make song dedications, drinking a 40oz, or just kicking back at the pad.”

“Being a chola is more than perfect eyeliner, gold accessories, or Dickies. It’s an identity forged out of the struggle to assert our culture and history, a struggle that continues.”

The chola aesthetic is the result of impoverished women making a lot out of the little things their families could afford. Many of the early cholos and cholas were the sons and daughters of farmworkers, a group of people exploited at high rates because of their lack of education and their vulnerability as undocumented people. In 1965, the United Farm Workers organization was fighting for a mere $1.25 hourly wage, so expensive brands were not a part of this style. Instead the girls wore cheap stuff like wife-beaters over baggy pants by brands like Dickies, a workwear label sold for cheap at local supermarkets. The style also evolved from sharing clothes with brothers and feminizing the cholo gangster look. Cholas wore their eyebrows thin, their eyeliner thick and black, and their hair teased or feathered, sometimes with tall bangs made stiff with hairspray. They also accessorized with gold jewelry: door-knocker earrings and nameplates or chain necklaces.

One of the most popular depictions of the subculture is a photo taken by Mexican photographer Graciela Iturbide in East LA in 1986. The iconic picture features a crew of cholas posted up in front of graffiti renditions of the historical Mexican revolutionary figures Benito Juarez, Emiliano Zapata, and Pancho Villa. One woman holds a baby while the other three throw up gang signs with their heads tilted back and their chins up. Another iconic portrayal of teenage cholas is in the movie Mi Vida Loca—a film that focuses on relationships between Central LA high school girls named Sad Girl, Mousie, Whisper, and La Blue Eyes. (The movie got flack from real cholas for depicting a near-fatal riff between Sad Girl and Mousie that started over a boy—something cholas would never do.)

Though the subculture is sometimes spoken of in past tense, plenty of people still identify as cholas or have maintained chola elements in their style, which continue to signify the same sort of defiance the original pachucas did. Hellabreezy, whose real name is Mayra Ramirez, has worked with streetwear brands like Mama Clothing who she feels do the subculture justice. “I loved working with homegirls and creating images of subcultures that have been around for so long,” she says. “But I’m careful about the people I collaborate with. I don’t want to represent our culture in a wrong way. I only work with people who know the culture and genuinely appreciate it.” Although Mama Clothing was a pioneer, embracing the chola look as far back as the late 90s, there are now several female clothing lines owned by Latinas using the chola aesthetic. Brands like BellaDoña and Bandida Clothing all take inspiration from a pachuca and/or chola look. But unlike Givenchy, they’re not exoticizing the subculture in a way that disconnects it from it’s anti-establishment origins and makes it more palpable to bourgeois white folks, they’re articulating a pride in their own culture.

Chola culture is also being preserved in the art world. At the end of 2014, the Espacio 1839 gallery in LA hosted an art show called Style as Resistance, which posited contemporary pachuco/a style as political. Curator J. C. De Luna created the event, which featured work honoring Chicano culture as a way to combat the ill effects of gentrification in the neighborhood of Boyle Heights by celebrating culture as a counteractive tactic. Men showed up dressed in wing-tipped shoes, elaborate tailored zoot suits, and wide-brimmed hats, while many women arrived wearing high-waisted slacks and the distinct teased pachuca hairstyle. There were discussions about the race riots of the 1940s and nostalgic swing jazz oldies like “Pachuco Boogie” were part of the soundtrack. A handful of visual artists showed their work including photographer Art Meza, who recently published Lowriting, a compilation of photos and literature immortalizing low riders, their owners, and community.

Events such as Style as Resistance actively honor the Chicano history of pachucos and pachucas in light of gentrification and the loss of Chicano cultural hubs in cities like Los Angeles and the Mission District of San Francisco. This is especially important because Chicano history is in danger of being pushed to the margins of the mainstream—we’ve recently seen the banning of Mexican American and general ethnic studies in Arizona and the attempted erasure of Cesar Chavez from textbooks. This whitewashing of Mexican American history makes the disassociation of the chola aesthetic from its political roots seem particularly malignant. Being a chola is more than perfect eyeliner, gold accessories, or Dickies. It’s an identity forged out of struggle to assert culture and history, a struggle that continues—just look at the racist “show me your papers” laws popping up in states all over the country, from Arizona to Indiana, and racist Mexican-themed fraternity parties in which frat boys dress not only in ponchos and sombreros but as construction workers and border patrol agents.

“As cholas, we can’t just brush the Aquanet off our hair, take our hoops off, and go back to normal suburban life. This is our reality. We live this everyday.” —Hellabreezy

I don’t want to fight over who gets to use gelled baby hairs because nothing will stop high fashion from harvesting trends from hood kids—everyone knows they are the true creative class. But that doesn’t mean I won’t stop rolling my eyes whenever I see white Forever 21 models wearing “Compton” sweatshirts and beanies.

“Back in the day, we were mocked for looking different. Now, so many young girls want to emulate the look and have no idea of the cultural background or street politics associated with it,” says Hellabreezy. “It’s easy for young privileged girls to want to have the look, but when they are done dressing up in their ‘chola costume,’ they don’t have to go back home to the hood and deal with discrimination, violence, and poverty… We can’t just brush the Aquanet off our hair, take our hoops off, and go back to normal suburban life like they can because this is our reality. We live this every day.”

Written by Barbara Calderon-Douglass for Vice.com

All photos by Graciela Iturbide 

Ms Krazie Makeup Vlog

Urban Kings Artist Ms Krazie has just released a make up vlog online, and talked about a variety of things about make up. Make sure to check it out, especially for the female fans to get Ms Krazie’s personal experiences. Having a signature type of makeup style, Ms Krazie gives her opinions and reviews on make up. Definitely a must see for all Ms Krazie fans!

The Psycho Realm Temporary Insanity Gas Mask

 

Check out this really dope painting of the Psycho Realm Temporary Insanity Gas Mask. I always find some really cool, and sometimes really random things when it comes to surfing the web for The Psycho Shop blog, but this one is really dope. The painting looks really clean, really clear and really artistic. I love the stroke and the curvatures of the painting, seemingly looking realistic but yet cartoonish. This is one that I can appreciate, because im a psycho, so I know you will appreciate it because you are too. Right now we currently have the real Psycho Realm Temporary Insanity Gas Mask available at The Psycho Shop and it is in stock! Make sure to order yours today!

Ms Krazie Pregnancy Vlog! A Baby Is On The Way!

Have you seen the UKMG Artist Ms Krazie Pregnancy Vlog? Ms Krazie’s vlogs are always good because she always bares her heart out to her fans and the world on her own thoughts and experiances. She tells you about her past and the things that she has gone through and she is excited about her baby. Ms Krazie has always been straight out, and real with her fans and her vlogs are no different. Watch and listen to Ms Krazie’s story directly from her as she talks and documents about her road to expecting a new child.

Sick Side Ren & Stimpy

 

Check out this sick picture I found! Its of the 90′s Nickelodeon cartoon “Ren and Stimpy” still shot of Psycho Ren. This is one of the biggest cartoons back in the day, and its sick how they got a sick shot of Ren sporting the “Temporary Insanity” Psycho Realm Gas Mask. Just wanted to share this really dope picture with all of my Sick Side Psycho Shop Blog Readers. And its Monday, so I got to get back to work. I got some dope Psycho Realm news for you too, ill announce it this week!!

Happy New Year Psychos

The Psycho Shop wants to be the first to say Happy New Year to all the Psychos out there that stay tuned to us and read our blog about Psycho Realm. There is not too many sick jobs like this where we can just talk about our favorite music, and our favorite group and get paid for it. We have been up to date, letting every Psycho know when every concert is, all the new music, some classic tracks and videos, new shirts and designs, pretty much a cool sick website for everyone to read. We had a sick 2013 and with the first new day of 2014, we are still gonna kill it and continue posting all the new news, updates, and more. Make sure to tell all your friends and Psycho Realm fans that this is the spot to be at!

Big Duke Presents – Slaine Performing Live

 

2014 is continuing the year off right for Big Duke’s events. This event Slaine of La Coka Nostra (99 Bottles) is scheduled to headline the concert! This is gonna be a dope event, Slaine is a sick rapper, and also performing will be Medusa, Rhyme Addicts, Detane, EQ, Phileano, Street Elements, Truth Cerum and Soul Define. This is another All Ages concert, and will be taking place at the Jon Lovitz Comedy Club on Thursday, January 9th. Tickets are only $20 presale, $25 at the door and limited amount of $50 VIP Meet & Greet Tickets. More info is coming soon on this really dope event, so stay posted to The Psycho Shop Blog for all your news and information!

Taking Place @

Jon Lovitz Comedy Club

1000 Universal Studios Blvd #222

Universal City, CA 91608

Check Out This Psycho Realm Art

 


Check out some really sick artwork that we seen from Bruna Francini from Brazil. She designed a very dope LA Sick Side design, featuring Psycho Realm. We have featured Bruna’s art on ThePsychoShop before, because she always has really dope artwork and designs. Check out the detail inside the SS, with buildings, the infamous gas mask, big duke and more.  And its also dope that its on a Bandana outline! Shout out to Bruna on always coming through with the top art designs, and all the love from Brazil. Remember, if you have any artwork of Psycho Realm, Sick Symphonies, or Street Platoon, send it to us by Clicking Here and including the link with your artwork!

Urban Kings Facebook Hits 80,000 Likes!

Click Here To Like Urban Kings On Facebook

Did you know that Urban Kings has just hit over 80,000 Likes on our Official Urban Kings Facebook Page! We have been posting some really cool exclusive stuff on there that does not go on our Blog, Instagram or Twitter, its just only for facebook. We post up some cool content from all our artists, from Ms Krazie, to Chino Grande, Fiesty 2 Guns, Stomper, Midget Loco, Jasper Loco and Spanky Loco. We also post cool video ambush interviews, and random videos when we are hanging out our when we just want to show everyone what we are doing. 80,000 is a great number for our label, and we are continuing to grow and expand and give everyone more news, updates, exclusives, events, music videos and more. If you haven’t liked our facebook page yet, make sure to do it now, and support our movement. All you have to do is Click Here and Click Like. Two clicks and your done!

 

Were You Set For Life This Weekend?

This weekend Urban Kings brought to you one of the biggest concerts of the year, with The Set For Life Super Show, with headlining artists Ms Krazie and MC Magic. This was a really big show, and we had so many surprises that everyone was blown away. This was the first concert that Ms Krazie did in the Los Angeles area. Ever. It also featured MC Magic performing for the very last time in the Los Angeles area for 2013. We also had some very special guest performers as well, like Brown Boy, as well as The Stomper, Jasper Loco and Spanky Loco and SLE. It went down November 23rd, at The Yost Theater in Santa Ana, and the concert was All Ages! This is the first time in a very long time that a rap concert with so much hype, took place in the Los Angeles area.

The XSetForLifeX Super Show also had a very special, very limited, very hard to get merchandise, like a few Ms Krazie x Old English Brand collaboration items like the “La Vida Enferma Tee”, a “Mexside” and “Enferma” beanie, and a Ms Krazie tote bag. It also featured a Chino Grande x Old English Brand collab with the “Trust Your Struggle” Tee Shirt, as well as an official XSetForLifeX Super Show Tee that was only available at the concert.

We have tons of footage from the XSetForLifeX Super Show, and our good friends Famous8 of Vndta (@Famous8 on IG) took these awesome photos of the event, and we will be posting more pictures very soon. If you weren’t able to make it to the event, see the pics, and check out our instagram (@UrbanKings). Make sure to tag us on instagram of all your Set For Life concert pictures, and you never know, we might use some for an upcoming blog! You can also submit your Set For Life photos for our blog by Clicking Here!

The XSetForLifeX Super Show

3 Hours Before Doors Opened

The XSetForLifeX Super Show Main Stage

Hello Loca! Ms Krazie Performing One Of Her Hits!

The Stomper Performing Aztlan Is The Truth

Mark & UKMG CEO Jaime C Diaz Jr After The Concert

The XSetForLifeX Super Show Concert Staff

The XSetForLifeX Special Guest Announcement

We are about to announce the very special guest that will be announced to be part of the upcoming XSetForLifeX Super Show staring Ms Krazie and MC Magic. It is someone who you have definitely heard of enjoy this artists music. The official announcement will be made today, so be on the lookout today for the official announcement on our blog, Official Urban Kings Facebook, Instagram @UrbanKings and also on Twitter @UrbanKings. Are you ready to see who else will be hitting the stage for this awesome All Ages concert? This event will be taking place November 23rd at The  Yost Theater. Click Here For Tickets!

Announcement will be made at 3:00pm Pacific Time!